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måndag 25 september 2017

DIY labels - DHU Records

Ok, first of all, bare with me and my English, but as a courtesy to some of my victims I try to translate some articles for all to read, and maybe get a little less confusing translation than from Google translate.Who knows it might be something for the future, if public demand is high?

Now to the main topic of the day, DIY:
In the wake of the music industry's changes, that I suppose originated in the musical digitization, one can say that it has caused both good and bad things. For example I guess we all have to realize that the era of the super-groups are gone or at least going, and the major labels monopoly like reign is over more or less (read this as the rock scene). Times when a small band needed the backup and promotion channels from the labels to get on to the few platforms that existed. 
And nowadays, it demands more from a band. Not just do you have to deliver great music to reach out, as the channels are so diversified, you have to promote yourself more. But at the same time all this grants opportunities for more driven bands to reach a larger audience on their own.
 

Another phenomenon that also appears in the backwash of all this, is all the smaller DIY companies that I think are driven more of the love for music, than pure profit hunger. It feels a bit like the late 70s punk wave, but for a wider repertoire and in some newer clothes.


One of these labels that has gotten a lot on my radar lately is the Dutch label D.H.U Records, who have proved to be a really good guide to wonderful music for me, through its beautiful vinyl releases. I Haven't had the opportunity to buy everything I wanted, which is a nag when it comes to limited editions I guess. :-) But I still enjoy the music as most of their releases usually land just in my comfort zone.
And the fact that they are based in Europe is also a plus, as it is possible to buy records from them, as an individual without sacrificing your firstborn due to shipping costs, as it usually is lower than the albums own price. Witch is usally the other way around when looking at similar labels that are US-based.


So I got in contact with Robert Black, the owner of D.H.U to fire off some questions.

First of all I want to thank you for taking your time with me and my questions. 
I don't know that much about DHU, more than you are located in Holland and that you seem to have a real good nose for great music and beautiful vinyl releases. Could you give a short story about DHU, and what your main goals are?
 "Thank you for the kind words! I started DHU Records after disbanding a few musical projects to focus on the rising heavy underground scene. So much great music has come forth and the goal is to help out as many as possible, be it with either advice or actual tangible product, limited edition vinyl in this case. Welcome to Dark Hedonistic Union Records."

Running an independent record label is often not the most lucrative or rewarding of jobs – what inspired you to do so? And is this a business that you can survive on, or do you see it more as a calling or a hobby?
"At the moment it's not something to survive on, much like most bands in this scene, you need that daytime job to support it. It is rewarding in the sense that you get to be a part of records of bands you truly dig. Plus being part of the whole art process and thinking up some grand vinyl editions is totally worth it!"

Are you a record label in the traditional meaning, like you sign bands and handle all the recording stuff? Or are you more of a collaborator that makes Vinyl's for bands.
"I would if I could if there was more time and money, but DHU Records is more of a collaborator that has vinyl produced for bands. Other than that I'd like to help out in any way possible."

Many traditional labels seem to be in jeopardy nowadays because of the changes in the industry. Is that an issue for you as a small label, or do you see it as an enabler for the smaller labels?
"I don't really see a problem. I mean there is a reason it's called underground music. It's not for everybody and that's the attraction, for me at least. The pulse of music is to be found there. No compromise and everything on it's own terms rather than a bunch of rules and bullshit tactics that have nothing to do with music in the first place"

Which leads us in to next question, today it seem more important with collaboration between indie-labels more than before, is it so for you as well?
"Yeah sure, helping each other out and supporting one another is the coolest thing about it all!
It's a cohesive effort based on honesty and output rather than money hungry fat cats wanting this or that or nothing at all. It is a business but having fun is way more important to me."

How do you see the future of the music industry? In a world where more and more artists are remaining independent and recording on their own, what place do you think record labels will have in the music scene?
"I have no idea to tell you the truth. Some bands feel like they need to be represented, others do very well on their own, DHU Records supports both big time."

How do you find the bands that you release? Do they contact you, or do you actively seek out bands that you find and like?
"A little bit of both I guess. Sometimes a band will contact DHU Records and I'll listen and go ape shit of how good it is, or not haha. But mostly I seek them out and see if they want to join the family and release some killer wax."

What is Your most successful band/release so far?
"I'd have to say Youngblood Supercult High Plains and the Old Blood Self titled, both were sold out fairly quick."

What's the biggest obstacles for a small label in your mind?
"Time and money."

Are you involved in the touring schemes of your artists? Or it's just focused on the releases?
"Not really, DHU Records is more focused on the releases, like I said, if it was my daytime job and could be a part of it that would rock!"

Hartelijk dank aan Robert en D.H.U

This shout-out is of course not only directed at D.H.U, but to everyone who feels that they fit in to this. Not just those who release records, because there are so many fans in today's music world who, in my mind, do an incredible job. If nothing else, I get the feeling that anyone, who wants to, have the opportunity to try and add what you can in this new sonic landscape. For heavens sake, even I have this blog. 
Feels like it's opportunity to dig a bit extra around this phenomenon later on, because there's a plethora of inspirational make it yourself spirit in the air. Regardless of what Gene Simmons says, but then, driven as he is, he's a product of the old school labels.

More Info on D.H.U:D.H.U
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torsdag 15 augusti 2013

Polar'n Pers guldkorn - KRIM!

1978 gick den in på Svensktoppen med Lill Lindfors. "Musik ska byggas utav glädje" Ja, ni känner igen den efterföljande textraden "Av glädje bygger man musik!", eller hur? Det är precis vad denna artikel ska handla om, men inte om denna låt och inte om Lindforskan, utan om en helt annan generation och helt andra musiker... Musik som byggs av glädje är ju en verkligheten för många band, det är ofta så det startar, men denna glädje är ibland inte bestående, den sinar ibland!

Kanske var det exakt vad som hände i Allingsås-bandet KRIM precis när det började lossna för dem. Bandet hade funnits sen 1996, i sju år, först som ett studiosamarbete mellan Mats Lilja (sång, gitarr), Bobby Eriksson (bas), därefter skalades bandet upp för att kunna spela levande. Musiken skulle jag beskriva som post-grunge korsad med lika dos "working class hero"-rock ala New Jersey. Den skapades över en lång period, sju år är lång tid, de hade alltså tid att hitta både väg och utvecklades innan den senare helt plötsligt försvann. För det var precis vad som hände... Det blev bara knäpptyst! Sjuårskrisen overdrive, typ!



Allt var alltså på gång att lossna. Via en producentkurs vid högskola på Gotland hade några studerande tagit sig an bandet. En video skulle göras. Låtar skulle marknadsföras och KRIM var bandet som skulle lanseras. Huvudspåret skulle framhäva "Faster grace", en tempostark låt med rivigt driv. En video spelades in och via radiostationen Rockklassiker fick låten regelbunden lufttid. Det var här jag upptäckte bandet. Radiostationen var lyrisk. Bandet bjöds in att spela i studion, det opluggade klippet nedan i artikeln är en upptagning från kanalen. De publicerades på kanalens promo-plattor, fick bokningar på evenemang kopplat till radiostationen. De fick med andra ord duktig uppbackning!

Många tänker säkert, kan det bli bättre förutsättningar? ...och svaret är antagligen nej! Men det tycks lossnat allt för sent. År av kämpande tog ut sin rätt. Redan 2000 var bandet och nosade på mållinjen när skivbolaget Popwire gick omkull, då hade de spelat i både London och New York samt blivit utsedda till Sveriges främsta talanger 1998. Bandet hann nästan igenom samma "plågsamma" inspelningsprocess när Corruption Records gick av banan. 7 spår blev dock distribuerade gratis via bandets dåvarande hemsida www.krimonline.com. Bandet som via sidan lovat album, pratat om ny studiotid i USA upphörde, mer eller mindre över en natt (de med). Det var som luften gått ur. Hemsidan dog även den, även fast många undrande och hörde av sig...



Det var som de lämnat jordens yta, fast det fanns gott om material för både en och två starka plattor, men vad det egentligen var som hände vet jag faktiskt inte, så jag låter den frågan vara obesvarad och fokuserar istället på framföra min djupaste beundran för dessa ...ehe... mytskapare. Kanske drar jag allt för dramatiska paralleller om jag tar bandnamn som Manic Steet Preachers i min mun. Dessa vars gitarrist försvann i verkligheten kan inte jämföras med min fantasi om ett helt band som helt plötsligt försvinner. Alien abduction. Arkiv X-mumma för konspiratoriska sinnen, men med dess starka låtar som arkeologiska ledtrådar till vad som hänt. "Kustom" och "Antidote" (båda Corruption Records, 2004) är två jämnstarka produktioner eller Promo-plattor. Från den förstnämnde hämtar jag ett favoritspår "Atmosphere" som har en både luftig och störtskön känsla.

För mig som lyssnare var det ett privilegium att höra låtar som har egen integritet utan att dessa blandas ihop som en ljudmassa i varandra. Det krävs gott om erfarenhet och talang för att utföra det hantverk dessa killar lyckades med. En akustisk inspelning, "Something better, är det sista livstecknet jag känner till, och då slår bandet till med bland det bästa jag hört i balladrockens historia... Tjena! Det här är vi! Tack och hej, typ!

Lite snopet!



Jag hade kunnat spåra bandets medlemmar (via Facebook, MySpace eller andra nätresurser) och kontakter, men jag låter det bero... det är ju precis så mystiska jag vill att dessa potentiella arenarockare i bandet KRIM ska vara. Man ska sluta på toppen. Det räcker för mig... även fast det är riktigt-förbannat-jävla-skit-synd!

/Polar'n Per

 Tre starka kort:
1. Something Better
2. Atmosphere
3. When You Cry

 Mer om KRIM:
 ...på www.grooveshark.com
 ...i en artikel på Gotlands Allehanda
...på Wazee
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